May’s Tuesday Night Fiddle Lab: Playing in Weird Keys

Tuesdays
May 7, 14, 21, 28
6:30 – 8pm

“Is this a good key to play fiddle in?”  It’s nice when singers bother to ask us this, but they shouldn’t have to.  Every key is a good one to play fiddle in, if it means our friends can do their parts in the keys that make the most sense for them.  Singers’ ranges are all different, but fiddles can play in any key and it’s worth it to break out of the rut of G, D, A, and C.

Let’s get you comfortable in Eb and F# and all the others.  In May’s Tuesday Night Fiddle Lab, we’ll work on a few tunes in the flat and mega-sharp keys.  We’ll also practice figuring out which notes belong in a given key, as well as intonation and systems for making the super-weirdo keys easier.

This is for intermediate fiddle players, as well as advanced players who want more ease when improvising in these keys and don’t mind learning a few intermediate-level tunes along the way.

Class fee (4 sessions): $60 $50 if you register by April 19th
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(If the above link is broken, it must be too late for the preregistration discount. Click here for full-price registration.)

Add a 45-minute private lesson for $35 (reg. $45):
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Simon says…

Simon is a great way to practice remembering sequences of notes (and colors and spatial locations, too, but notes are the relevant thing for our purposes).  It’s also a great way to procrastinate something else you are supposed to be doing, while still doing something productive for your music.  Win?As you get more advanced, try closing your eyes and doing it just based on the sounds.  It’s hard!  But it does get easier.  You’re developing your ability to pick out tunes, and to remember longer and longer chunks of them at a time, which makes it easier to learn by ear and also to improvise based on melodies you haven’t seen written down.  Cool.

Oh, and one more thing: April class pre-registration discounts end tonight at 11:59pm.

There will be two classes in April:

  • Beginning Fiddle, and
  • Reading Sheet Music (or Reading It Better).

Both are $50 if you register now, or $60 if you wait until the weekend.  For more information, and to register ($10 off till 11:59pm on Friday), go here.

That’s all for now.  See you soon, and happy musicking!

Go Ahead and Take a Solo!

It’s about time for another gentle improvisation class, no?

“All right! Fiddle solo!” Terrifying words, when shouted gleefully in your general direction? Yup, been there. March’s Fiddle Lab is all about getting you to a place where a solo feels like a welcome opportunity to cut loose, rather than something overwhelming and scary.

We’ll work on the emotional stuff, as well as some practical, nuts-and-bolts information and exercises to help you decide what to play.

This is designed for people who are totally freaked out by the idea of taking a solo but want to learn–so if that’s you, yay!

And if you’re a bit more confident but would like some new ideas or more chances to practice this skill, I hope you’ll join us, too.

The class is open to other acoustic instrumentalists as well–just be patient with a bit of fiddle-specific teaching from time to time.

Tuesdays
March 5, 12, 19, 26
6:30 – 8pm
$60 (4 sessions)

Register here, won’t you?

Bruce Molsky is coming!

Wednesday March 13, 7:30 PM
Roeder Home
$10 – $15 at the door.

“OK folks – this is a BIG deal! This man’s music makes big tears roll down my cheeks with remarkable consistency. He’s figured out how to sing WITH his fiddle as if the instrument was flesh and blood, part of his own body, blending the resonances till they break my heart. And he teaches other musicians how to think about reaching for that
themselves. I find that listening to his music makes me a deeper human being with better access to my own heart. And the Roeder Home has the finest acoustics of any listening room I know.” – Flip Breskin

“America’s reigning old time fiddler.” – Matt Glaser, fiddler-educator

“The Rembrandt of Appalachian fiddle.” – Darol Anger, fiddler

“There’s an incredible power of history and tradition in his vocals.” – Linda Ronstadt, singer

http://www.brucemolsky.com/

It’s already that time of year again! How’d that happen?

OK, realistically this happens every year for me.  Maybe it’s the Eastern Washington native in me waiting for snow to start thinking about Christmas.  Anyway, it’s almost here and I forgot to tell you about my holiday duet fiddling book!

The Partridge Book:
19 Holiday Tunes with harmony parts and guitar chords

There’s still time to learn your Grandma’s favorite… right?

PDF download: $7

I also have two physical copies left from last year if you really want one and are able to pick it up.  Those are $10.

Swing/Improv Fiddle Lab starts tomorrow.

Care to join us?

Tuesdays
Nov 27, Dec 4, 11, 18
6:30 – 8pm
Bellingham’s Cornwall Park Neighborhood (location emailed when you register)

Learn some great swing standards, get some ideas about how to approach improvisation, and pick up some painless music theory and fiddle/violin technique along the way. For lower-intermediate to advanced players.

Class (4 sessions): $60
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Add a 45-minute private lesson for $35 (reg. $45):
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Incidentally, you can now register for fiddle labs in advance.

(In fact, there’s even a discount for registering for multiple classes at once.)

To register for three labs (you choose which three) and save $20:

3 classes/12 sessions: $160–save $20
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After you complete your payment, just shoot me an email (kat@bellinghamfiddle.com) to let me know which three classes you’d like to take.

Current offerings:
-Late Nov/Early Dec: Swing!
-January: Bow Control
-February: Backing Up Other Musicians II (talk to Kat about this if you didn’t take the first class in this series)
-March: Go Ahead and Take a Solo!

For more details about the above classes, click here.

That’s all for now. See you soon, and happy musicking!

Register by Monday night for the Bowing Styles class.

The next Tuesday night Fiddle Lab starts this week, October 30. We’ll look at a bunch of tune types (such as rags, jigs, hornpipes, and reels) that have particular bowing patterns and techniques. Once you master them, you’ll be able to play them with their proper feel. You’ll never again wonder what the difference is between these types of tunes or why it matters!

This will empower you to read tunes out of books and know what they’re supposed to sound like. You’ll also be able to put in your own bowing markings.

Plus, this will also make it easier to write tunes and solos in certain styles–or to at least to be better at faking the styles you haven’t really devoted time to learning! Not that you would ever do that, of course. Actually, of course you would. It’s part of being a flexible musician who can jam with anyone you want to play with.

For more information, and to register, go here: http://www.bellinghamfiddle.com/upcoming-classes

That’s all for now. See you soon, and happy musicking!

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